Journal:Lietuvos archeologija
Volume 41, Issue 1 (2015): Lietuvos archeologija, pp. 131–142
Abstract
Within the framework of the Lithuanian Mummy Project, a scientific investigation of the mummified human remains found in Lithuania, the authors of this paper attempted to gather as much information as possible in order to promote and expand the knowledge about the corpses held in the crypt of the Dominican Church of the Holy Spirit in Vilnius. The data collected enabled the history of the church and its burials over the course of time to be reconstructed, providing an original and unique window into Lithuania’s past.
This paper offers a reading of Mantas Kvedaravičius’ research findings from the perspective of visual anthropology. The paper describes the continuities between Kvedaravičius’ theoretical concerns on the anthropology of war and his filmmaking approach. These continuities imply an epistemological position that approaches research cinematically and proceeds to write from that position. Kvedaravičius’ work is illustrative of research that takes audio-visual ethnography seriously and works through the possibilities and limitations of different media to produce new stories on the human experience.
The aim of this contribution is to explore Julian Ochorowicz’s theory of rudimentary symptoms, a proposition largely based on psychological concepts, balancing between the latest findings in evolutionary biology and anthropology, and exploring the development of man and his history. This concept sought to align the reflection of human nature and culture by introducing a psychological input (the concept of subliminal traditions). The author analyses and reintroduces this concept, somewhat forgotten by researchers, that may have functioned as a bridge, both between evolutionary biology and anthropology, and Polish and West European scientific thought at that time.