Lietuvos archeologija

In 2021, illegal antiquities seekers destroyed a Chernyakhiv Culture burial near the village of Lebedyn. Some of the items and succinct information about their provenance were given to the Cherkasy City Archaeological Museum of the Middle Dnipro Region. An examination of the items and an additional investigation of the find spot allowed for the conclusion that the items came from a Chernyakhiv Culture cremation. The grave goods included artefacts of Roman and Barbarian origin as well as hand-built pottery with direct analogies to the Wielbark Culture. It can be asserted that this was the burial of an East Goth woman of high social rank from the late 3rd – early 4th century, probably the early phase of Stage C3.

The article is devoted to the results of the research of the fortress Tyagin, built by the Lithuanian Grand Duke Vytautas on the territory of the island Bolshoye Gorodishche in the late 14th to early 15th century. The archaeological materials provided valuable information about the syncretism of the complex of monuments on the island, the typology, layout and size of the fortress. It was one of the earliest stone castle-type fortresses on the northern Black Sea coast, a part of the defensive line of the southern borders of the Grand Duchy of Lithuania. The fortress’ defensive system included a synthesis of defensive architectural elements, ranging from timber-engineered structures known from Old Russian times to stone walls and buttresses of a new level of fortification in Europe. The fortress was armed with artillery and edged weapons, the main type being crossbows, which were widespread in Lithuania. The fortress of Tyagin was situated at the crossroads of trade routes between the East and the West, at the crossroads of the custom. The artifacts testify to the presence of Lithuanian cultural objects, Genoese influence, contact with Crimea, and trade and economic relations with Poland. The monument is an integral part of the cultural heritage of Lithuania and Ukraine.

The main goal of this paper is to publish two fragments of Panathenaic prize amphorae that have been excavated in the northern part of the Roman citadel in Olbia Pontica. Stylistic analysis of both fragments allowed us to date them to the last third of the 6th century BC and to draw the conclusion that they belong to the same amphora manufactured at the time of the Antimenes Painter.