Lietuvos istorijos institutas

The production and distribution of the so-called KAM axes has been the subject of much discussion in Bronze Age research. The origins and technological sources of KAM axe production remain still unknown. KAM axes are characterized by long necks, a decoration matrix consisting of a number of raised horizontal lines that are looped and crosscut by one or more vertical lines. However, there are several subtypes of KAM axes, the existence of which contradicts the hypothesis about uniform axe distribution across the vast region between Central Sweden and the Volga-Kama region. Indeed, the rich assemblage of clay casting molds found in the Late Bronze Age fortified settlements in the Eastern Baltic region reveals that KAM axes were available in different sizes and shapes even if they appear to be uniform at the first glance. This paper presents the results of reconstructing clay casting molds through 3D laser scanning and postprocessing to (1) release a much more accurate view of molds and decoration patterns of the axes; (2) provide a comparison of axe parameters from the Eastern Baltic, Scandinavia, and the Volga-Kama regions, (3) further inquire about local and foreign productions; and (4) ascertain the significance of the decoration matrix as a communication code in the Late Bronze Age exchange and trade.

The article presents a classification of the pottery dated to PIII–B2/C1 and a spatial analysis of the pottery, bone, and metal artefacts found at the Narkūnai archaeological complex (Utena District, Leliūnai Eldership). First, a re-examination of Narkūnai’s prehistoric chronology was made using typological studies. Second, on the basis of 14 879 analysed potsherds and 1534 separately examined rim sherds, pottery styles were distinguished in the context of the development of early hillforts’ pottery. Last, by applying a behavioural archaeology theory, the paper analyses the formation processes of the cultural layers and the fragment of the representativity of the archaeological context. A spatial analysis allowed the fragment of the 2nd century palaeorelief to be distinguished, the abandonment process of a single building to be examined, and four asynchronous metallurgical activity areas in the ‘Didysis’ Narkūnai Hillfort to be identified. The latter reflections on prehistoric behaviour are discussed in the context of the appearance and abandonment of the early hillforts and the relationship of the local communities with early metallurgy in the East Baltic region.

This article presents an investigation of the classi'cation, chronology, production, and usage of the technical ceramics from the ‘Didysis’ Narkūnai Hillfort (Utena District, Leliūnai Eldership). An attempt to resolve the problem of classifying vessels as miniature cups or crucibles was made using XRF, microchemical qualitative, SEM/EDX, and x-radiography analyses. Based on the results, a significant quantity of the miniature cups previously interpreted as crucibles are now considered to be unrelated to metallurgical activities. The revision of these technical ceramics is prompting a reassessment of the itinerant metalworker hypothesis as the collection is sparse, indicating a specialized metalworking level and an episodic chronological character.

The article presents the Trzciniec culture (Trzciniec cultural cycle), an Early and Middle Bronze Age archaeological phenomenon in Lithuania. It analyses various aspects of the concept and chronology of the culture and presents a history of the research in the culture’s territory. Priority is given to archaeological pottery, the main indicator for cultural identification. The article gives the main distinguishing features of the ceramic vessels, their types, their ornamentation, and their attribution to either the East-Trzciniec or West-Trzciniec culture. Finally the article analyses the Bronze Age cultural situation in the Eastern Baltic region and raises the question of whether the Trzciniec culture existed in Lithuania and in what form.